I have to admit to being a big fan of Bob Mould, so when his new album was streamed online in March earlier this year I decided that Semplesize could do with letting its readers know exactly why Bob Mould is a rock god!
After forty years in the music business you might think Bob Mould would have run out of ideas, but no! Patch the Sky is his thirteenth solo album, twenty-sixth if you consider his Hüsker Dü and Sugar efforts, and although you know what you are getting (power-pop and screeching guitar solos) it is still as emotionally and musically volatile as any of his other work.
With such a large back catalogue and so many influences and styles, he effortlessly segues between hardcore punk and pop tinged dance, then screaming like a space shuttle punches through rock music clouds into the vacuum of easy listening space. I think I lost my metaphor somewhere along the way there…
In the grand scheme of things, Patch the Sky is just another Bob Mould album –Mould has influenced just about every rock band since 1979, names such as The Pixies, Nirvana, Green Day, Ryan Adams, No Age, the Foo Fighters and others too innumerable to mention cite him as a major part of their decision to make music – so “just another Bob Mould album” is an event worthy of more than an unobtrusive press release and a few underground murmurings from hardcore fans.
Standout tracks on the first listen are Daddy’s Favourite – distortion and angst, Black Confetti – wonderful offbeat drums define the song, and Monument – speaking directly to your psyche, closes the album on an introspective note.
I’ll be buying this, I would strongly recommend you do too!