My third Semplesize review was a bit different for me. I’m a bit of a rocker, but browsing through that week’s tracks I happened upon something a little outside my normal listening comfort zone. However I liked it.
As usual this is the unedited version, the original can be found here.
On their Facebook page, Monogem define their genre as “Electro-Pop/Soul”, some might call it “dance”. I would be so bold as to disagree with either of these classifications. Certainly Silhouette has electronic instruments, pop stylings and soulful vocals…and you could unquestionably dance to it. But it feels like a track which should accompany movements of a more horizontal nature.
The song starts as it means to go on, with Songs of Faith and Devotion era Depeche Mode synthesisers, accompanying an electronic drum kit dragged from Everything Everything’s abandoned basement. The music could almost be classed as Rock, if it weren’t for the fact there isn’t an actual stand behind it and press/hit/strum/blow instrument in site.
Although hailing from the USA, Jen Hirsh’s vocals sound more Southern England than Southern California, sharing tone and intonation with the likes of Kelli Ali (formerly Kelli Dayton from the one-hit-wonder trip-hop sensation that was the Sneaker Pimps), Hirsh manages to pull off seductive not-quite-pop vocals in a spectacular fashion.
Scott Smith’s heavy (synthesised) percussion continues at a steady and unstoppable 148 beats per minute throughout the song, with very little change to the basic dum dum, du dum dum of the bass drum or traversal into the higher registers, but this just goes to enhance the ambience of Hirsh’s voice and takes you on a journey towards nights of passion, possibly followed by some more extreme or unconventional intimate physical pursuits.
While Monogem’s other tracks, like The Glow or Follow You can seem a bit derivative, or just fade (rather nicely, it has to be said) into the general stream of consciousness that is popular culture, this is a track which begs for airtime on any radio station that has its wits about it or values their listeners.
The song is beautifully executed and will stand up to repeated plays and I can imagine people dancing to it in a club. The only issue being that it will swiftly empty the club as they all pair off and rush home to their bedrooms, to carry out the inevitable consequences of listening to Silhouette.